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In Shinjuku, these areas are right outside the Kabukicho exit, in front of Alta (with the large TV monitor overhead) next to the fruit shop, and outside the west exit.
In Ikebukuro the West and East exit are both good, although the East exit is more younger “normal” crowds, and the West exit tends to be more salarymen and red light crowds (including workers heading to and from their shifts, if that’s your thing).
It’s a reasonably safe bet that anyone looking for DVDs on a Friday or Saturday night has relatively little planned for the night.
Perhaps they’re picking a DVD out to watch with their significant other, or perhaps they’re bored out of their minds and wish they had a friend to hang out with and maybe more!
Whether their night was a success (drinking with their friends) or a feat of endurance (watching the clock until the boss stops drowning them in shochu and forcing them to listen to rude jokes), the transition to last train usually has people in a good mood.
In the smoking area near the Kabukicho exit of Shinjuku station, near 109 and the scramble crossing in Shibuya, and outside the East and West exits of Ikebukuro station, you’ll see the nanpa-shi (pickup guys), standing guard with their standardized uniform – gelled hair, man purse, loafers, and phone in hand – eyeing women from their sentry posts along the main pedestrian thoroughfares.
For people waiting or smoking in these areas, you can simply walk up to them and initiate a conversation.
Some might move away wordlessly – this means they are either not interested or waiting for someone – but don’t be disheartened.
You might find a few stragglers outside, but by and large, most people have made their ways to a club, karaoke, izakaya, or a bar.
There’s only one way to find out – head to your local Tsutaya, GEO, or DVD rental shop and check out the foreign movies section.
If someone strikes your fancy, make some casual conversation and you might end up in bed with a sexy new partner.
Keep in mind that as groups splinter off heading to different train lines, you generally have only until the ticket gates to make a good impression before she enters the station.
Within the first minute or two you want to communicate that: While many of the Japanese nanpa-shi will offer short, rapid-fire invitations to girls with low probability of success, you can easily outperform them by adjusting your game to be a bit more human and less robotic and shady. Mention whatever it was you were just doing – eating with friends, drinking, etc. Ideally, by the time you invite her, she’s paying attention to you and engaging with you in conversation.
The first and last trains are like tides – both signal a high-water mark of traffic, people, and energy.